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Critics of the LDS Church often cite similarities between the rituals of Freemasonry and the LDS temple endowment. It is pointed out that the development of the endowment parallels Joseph Smith Jr.'s introduction to Masonry in Nauvoo. Critics often imply or state that the temple endowment was taken from Freemasonry.
It is worthwhile to note that these critics are also often critical of Freemasonry, and thus attempt guilt by association.
Website: josephlied.com
[1]In order to understand this issue, a few facts are needed:
In order to understand the relationship between the temple endowment and Freemasonry it is useful to consider the temple experience. In the temple, participants are confronted with ritual in a form which is unknown in LDS worship outside of that venue. The temple endowment is, in fact, made up of two parts:
It is in the ritual presentation of the endowment teachings and covenants that the similarities between the LDS temple worship and Freemasonry are the most apparent. The question is, why would this be the case?
In developing the endowment, Joseph faced a problem. He wished to communicate, in a clear and effective manner, some new (and, in some cases, complex) religious ideas. These included such abstract concepts as
Joseph needed to communicate these ideas to a population with limited educational attainments, many of whom were immigrants with only modest skills in English. And, ideally, people of different levels of intellectual and spiritual maturity needed to be taught by the same ceremony.
Joseph's experience with Freemasonry—including serving as the Chaplain of Rising Sun Lodge in Nauvoo—taught him the power of instruction through ritual and repetition. Many believe that Joseph seized on this insight as a tool for teaching the endowment's doctrines and covenants. By using ritual forms akin to Freemasonry—forms with which many Saints were already acquainted—he insured that their focus would be on the endowment proper, and not on the means chosen to present it.
It is also worth noting that many of the similarities highlighted by church critics are only superficial. For example, critics focus on the common use of architectural elements on the Salt Lake Temple and in Masonry, even though the endowment makes no references to such elements. In almost every case, shared symbolic forms have different meanings.
The goals of Masonry and the endowment are not the same. Both teach important truths, but the truths they teach are different. Masonry teaches of man's relationship to his fellow men and offers no means of salvation; it is not a religion. The temple endowment teaches of man's relationship to God, and Latter-day Saints consider it essential for exaltation.
With time, modern Saints have lost their connection to the institution of Freemasonry. Therefore, the understanding of these ritual forms has been lost by most members. As members no longer require or respond to such rituals elements, some have been modified or removed from the temple's ritual. The ritual of the temple has undergone (and will likely continue to undergo) modification and improvement to meet the needs of the Saints in the coming years.
The temple endowment is made up of two elements: 1) the "endowment proper," or doctrines taught and covenants made; and 2) the ritual presentation of the endowment.
While the ritual has elements that are shared with Freemasonry, the presentation is not the endowment. Joseph used these ritual elements because of the Saints' familiarity with them. Ritual drama provided a teaching tool which permitted the prophet to communicate the endowment to a population of limited education.
The presentation of the endowment has been (and likely will continue to be) changed under priesthood direction to meet the changing needs of Latter-day Saints around the world. Many of the Masonic elements once found in the presentation of the endowment are no longer in use. Symbolic elements in the endowment, whatever their source, are present only to aid members in a religious purpose: understanding doctrine and keeping covenants.
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