Accuracy of Church art

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Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[1]


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Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.

Alfred North Whitehead, Dialogues (1954)
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Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[2]


Jump to details:


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[3]


Jump to details:


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[4]


Jump to details:


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[5]


Jump to details:


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[6]


Jump to details:


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[7]


Jump to details:


Notes

  1. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.
  2. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.
  3. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.
  4. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.
  5. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.
  6. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.
  7. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.

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