Accuracy of Church art

Revision as of 10:26, 16 May 2024 by GregSmith (talk | contribs)


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[1]


Jump to details:


Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.

Alfred North Whitehead, Dialogues (1954)
∗       ∗       ∗


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[2]


Jump to details:


Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.

Alfred North Whitehead, Dialogues (1954)
∗       ∗       ∗

Template loop detected: Question: Does Church art always reflect reality? Template loop detected: Question: Why are people concerned about Church artwork? Template loop detected: Question: Is the Church trying to hide something through its use of artwork? Template loop detected: Question: Why doesn't the art match details which have been repeatedly spelled out in Church publications? Template loop detected: Question: How do non-Mormon artists treat the Nativity? Template loop detected: Question: What message does the Book of Mormon translation painting convey?

Notes

  1. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.
  2. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.



Further reading and additional sources responding to these claims


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[1]


Jump to details:


Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.

Alfred North Whitehead, Dialogues (1954)
∗       ∗       ∗

Template loop detected: Question: Does Church art always reflect reality? Template loop detected: Question: Why are people concerned about Church artwork? Template loop detected: Question: Is the Church trying to hide something through its use of artwork? Template loop detected: Question: Why doesn't the art match details which have been repeatedly spelled out in Church publications? Template loop detected: Question: How do non-Mormon artists treat the Nativity? Template loop detected: Question: What message does the Book of Mormon translation painting convey?

Notes

  1. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.



Further reading and additional sources responding to these claims


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[1]


Jump to details:


Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.

Alfred North Whitehead, Dialogues (1954)
∗       ∗       ∗

Template loop detected: Question: Does Church art always reflect reality? Template loop detected: Question: Why are people concerned about Church artwork? Template loop detected: Question: Is the Church trying to hide something through its use of artwork? Template loop detected: Question: Why doesn't the art match details which have been repeatedly spelled out in Church publications? Template loop detected: Question: How do non-Mormon artists treat the Nativity? Template loop detected: Question: What message does the Book of Mormon translation painting convey?

Notes

  1. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.



Further reading and additional sources responding to these claims


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[1]


Jump to details:


Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.

Alfred North Whitehead, Dialogues (1954)
∗       ∗       ∗

Template loop detected: Question: Does Church art always reflect reality? Template loop detected: Question: Why are people concerned about Church artwork? Template loop detected: Question: Is the Church trying to hide something through its use of artwork? Template loop detected: Question: Why doesn't the art match details which have been repeatedly spelled out in Church publications? Template loop detected: Question: How do non-Mormon artists treat the Nativity? Template loop detected: Question: What message does the Book of Mormon translation painting convey?

Notes

  1. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.



Further reading and additional sources responding to these claims


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[1]


Jump to details:


Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.

Alfred North Whitehead, Dialogues (1954)
∗       ∗       ∗

Template loop detected: Question: Does Church art always reflect reality? Template loop detected: Question: Why are people concerned about Church artwork? Template loop detected: Question: Is the Church trying to hide something through its use of artwork? Template loop detected: Question: Why doesn't the art match details which have been repeatedly spelled out in Church publications? Template loop detected: Question: How do non-Mormon artists treat the Nativity? Template loop detected: Question: What message does the Book of Mormon translation painting convey?

Notes

  1. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.



Further reading and additional sources responding to these claims


Accuracy of Church art

Summary: People are sometimes troubled when they see artists' depictions of the Prophet and Oliver sitting at a table while Joseph views the plates as they sit in plain sight. Obviously, the plates often didn't sit in plain view, and these artistic interpretations originate purely in the mind of the artist. Some accounts indicate that the plates sat on a table covered with a cloth "in plain view," with Emma indicating that she actually moved them around in order to perform her household chores.[1]


Jump to details:


Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.

Alfred North Whitehead, Dialogues (1954)
∗       ∗       ∗

Template loop detected: Question: Does Church art always reflect reality? Template loop detected: Question: Why are people concerned about Church artwork? Template loop detected: Question: Is the Church trying to hide something through its use of artwork? Template loop detected: Question: Why doesn't the art match details which have been repeatedly spelled out in Church publications? Template loop detected: Question: How do non-Mormon artists treat the Nativity? Template loop detected: Question: What message does the Book of Mormon translation painting convey?

Notes

  1. Interview of Emma Smith by her son Joseph Smith III, "Interview with Joseph Smith III, 1879," Dan Vogel (editor), Early Mormon Documents (Salt Lake City, Signature Books, 1996–2003), 5 vols, 1:541–542.



Further reading and additional sources responding to these claims

Notes




Further reading and additional sources responding to these claims